1886: Oceania: PICTURESQUE ATLAS OF AUSTRALASIA

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Location: Chippenham
Ships to: US,
Item: 285237880329

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Returns Accepted:Returns Accepted
After receiving the item, your buyer should cancel the purchase within:14 days
Return policy details:
Antique:Yes
Format:Atlas Map
Language:English
Era:1800s
Cartographer/Publisher:THE PICTURESQUE ATLAS PUBLISHING COMPANY, LIMITED

Oceania from the Picturesque Atlas of Australasia Summary Map from the ground breaking Picturesque Atlas of Australasia. Title Oceania Publisher The Picturesque Atlas Publishing Company Limited Dimensions Landscape. Overall dimensions: 42.5cm by 64.5cm. Image dimensions: 37cm by 61cm. Provenance Picturesque Atlas of Australasia Authenticity All our maps and prints are originals, published at the dated shown above. Description and Condition Description Atlas Map. A map of Oceania showing South East Asia, Micronesia, Polynesia, Melanesia and Australasia. Originally published in the ‘Picturesque Atlas of Australasia, a periodical issued between 1886-88, timed for the celebration of the centenary of the arrival of the First Fleet in 1888. Cenre-fold, as issued. Condition Very Good Minor tear to upper edge of outer border. Notes Provenance The Picturesques Atlas of Australia was the most ambitious publishing project in Australian history before 1900. Conceived and financed by US publishers it used the best artist, materials and printing techniques.Published in Sydney with over 700 wood-engraved illustrations commissioned from leading Australian artists. It was released in 42 separate editions usually bound into three large volumes and sold a remarkable 50,000 copies. Its publication was one of the most significant cultural projects in nineteenth-century Australia. Writers, artists, academics and politicians came together to prepare a book of unprecedented grandeur and ambition, and a publishing company was established to produce and publish it. The seven hundred engravings on steel and wood contained in the Picturesque Atlas were among the finest engravings to be found anywhere in the world at this time. The Atlas was a collegial project, staffed by a large number of artists and garnering an unusual number of contributors for one work. Lightly supervised by the former Sydney Morning Herald editor Andrew Garran it was lavishly produced at the Wynyard Square headquarters of the Atlas company. It had the services of the Melburnian journalist and public figure James Smith who wrote much of the Victorian and Tasmanian material, and W.H. Traill wrote extensively about Queensland. It was not, of course, an Atlas is the usual sense of the word, maps playing a comparatively minor role. But use of Atlas in the title, Hughes-d’Aeth notes, gave a sense of the scale of the publication both in terms of comprehensiveness and format. As the author points out, calling it an Atlas carries a promise of the exactitude of the relationship between the subject and its representation, and also bears a sense of the acquisitiveness that shadows the imperial phase of cartography. There were only thirty maps in the Atlas’s 800 pages, but there were hundreds of pictures. This is where much of the ideological work of the Atlas was completed and this is where Paper Nation concentrates its analysis. Its first task is to unravel the linguistic ball of string that is the word ‘picturesque’. Though Humphrey Repton and Uvedale Price had their opinions, Hughes-d’Aeth is quite right to pick William Gilpin out of the line-up of suspicious aesthetes, for it was he who really popularised the idea of travelling in search of picturesque views. Paper Nation’s dissection of the term picturesque is particularly aware of the term’s adaptation to colonial usage, and its mutations through time. The picturesque took on an increasingly acquisitive edge, as admiration of the beauty of the land was joined by a concern to exploit it. A ‘deep reverence for production’ can be seen in the Picturesque Atlas’s many illustrations of mines, factories and agricultural processes. The slag heaps of a mine were now as ‘picturesque’ as a fern-filled valley, but this does mean that the term was evacuated of all meaning. Rather the aesthetic appropriation of the land and its material exploitation were part of a continuum of colonial attitudes, and it was the duty of the Picturesque Atlas to affirm and re-affirm the rightness of European habitation and progress. Shipping Standard Shipping All our maps and prints are carefully packed either between sturdy card boards or rolled in robust postal tubes to ensure safe delivery. Returns We offer a full returns policy, no questions asked. Please pay return postage and ship back to us in its original condition within 30 days of purchase.

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